Theory of Knowledge Exhibition Summary

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### Theory of Knowledge Exhibition Summary

**Title:** Does our knowledge depend on our interactions with other knowers?  
**Session:** May 2024  

#### Key Arguments and Examples:
1. **The Quatrefoil Motif (Cultural/Religious Knowledge):**  
   - The quatrefoil, a four-lobed symmetrical shape, appears across cultures (e.g., Mesopotamian, Mesoamerican, Roman, Gothic) with varied meanings (e.g., portal to the underworld, male fertility).  
   - Its spread is attributed to interactions between knowers (e.g., via Silk Road trade or Islamic art diffusion), though some argue its simplicity led to independent creation in isolated cultures.  
   - **Conclusion:** Knowledge of cultural symbols often depends on cross-cultural interactions, but universal design principles may also play a role.  

2. **Graham House Model (Architectural Knowledge):**  
   - The author redesigned a model of Arthur Erickson’s Graham House, inspired by his design values (e.g., homogeneity, openness) learned through a CBC interview.  
   - **Conclusion:** Indirect interactions (e.g., interviews) provide foundational knowledge, while direct interactions (e.g., conversations) could foster deeper innovation.  

3. **German Preservation Statute (Legal Knowledge in Architecture):**  
   - Architects must comply with laws like Section 172 of the German Federal Building Code, which protects historical structures.  
   - Knowledge of such statutes depends on indirect interactions with legal experts, but strict adherence may limit creative freedom.  
   - **Conclusion:** Legal frameworks demonstrate how knowledge from other fields (law) shapes architectural practice, albeit with potential constraints.  

#### Final Perspective:  
The exhibition argues that knowledge in art, design, and architecture heavily relies on interactions with other knowers—whether through cultural exchange, mentorship, or interdisciplinary collaboration. However, it also acknowledges that some knowledge can emerge independently or be constrained by external frameworks.  

**Word Count:** 950  
**Citations:** Includes academic articles, interviews, and legal documents.  

*Note:* The exhibition blends historical analysis, personal experience, and legal examples to explore the interplay between shared knowledge and individual creativity.

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